Looking for a summer program for 2015? Consider the Halifax Summer Opera Festival!

Are you a singer interested in doing a summer program this year? Do you want to spend your summer in one of Canada’s most beautiful cities? Do you long for a life-affirming and potentially transformative experience? If you answered yes to one or more of these questions, you are in luck — there are still some roles available for the 2015 Halifax Summer Opera Festival.  Singers, I encourage all of you to consider this welcoming, supportive, inspiring summer program.  HSOF prides itself on providing excellent educational opportunities in a nurturing environment, with reasonable, non-prohibitive costs for participants.  And, sure, those are great reasons for doing any summer program.  But after spending five summers with HSOF I’ve come up with my own set of reasons that I’d like to share with you here.

Well, actually, money matters.

Okay, so the non-prohibitive costs thing is actually pretty great.  There are several summer programs I would have auditioned for had their tuition fees been more reasonable.  In my opinion, the cost of a few weeks’ worth of summer training should not rival the annual cost of an undergraduate degree.  And while professional development is extremely important to me, I don’t want to spend so much on being a singer that there’s virtually nothing left for being a regular person with regular expenses and interests outside of singing.  From a purely financial perspective, HSOF was perfect for me (and ended up being perfect for me in other ways, too.).  I got to learn from wonderful faculty, share the stage with talented colleagues, push myself to develop artistically, and all without having to choose between doing a summer program and making RRSP contributions.

You get to spend the summer in awesome Halifax!

One of the fringe benefits of this program is that it just happens to take place in one of the nicest places imaginable.  I fell in love with the city of Halifax in 2009, the first time I did HSOF, and after all these years it hasn’t yet lost its charm.  Some of my favourite things about Halifax are: the harbour, Coburg Coffee, the colourful houses, the Public Gardens, garlic fingers at Freeman’s, being able to walk pretty much everywhere, the Halifax Seaport Farmers’ Market (where you can get a cup of tea from The Tea Brewery and take in the art of Shelagh Duffett), the summer weather, Two if By Sea‘s divine croissants, Point Pleasant Park, and Darrell’s.  One of the great things about HSOF is that you have the time to explore the city.  Sure, there are some long days of rehearsals, coachings, and masterclasses, but you’ll definitely have time to see the sights and experience all that Halifax has to offer. None of the many, many photos I took in Halifax are quite as beautiful as the real thing, but just to give you an idea, here’s a picture of some boats.026

You will meet some of the best people ever.  This is not hyperbole.

First of all, the people who run HSOF are amazing.  They are some of the most creative, supportive, hard-working, friendly,  [insert a dozen other complimentary adjectives here] people I have ever met, particularly the two women who started it all, co-founders Tara Scott and Nina Scott-Stoddart.  I’ve been fortunate enough to work with them on three separate occasions.  Each time my life was enriched immeasurably.  The thing is, they just really, really care.  They care about the art, and they especially care about the artists.  I remember working on an aria for my first HSOF production, and rehearsals were going…. okay.  Nina decided to spend some extra time to coach me individually, until I felt comfortable presenting this aria to the public.  She probably had a million other things that needed doing that day, but she sensed that I needed this help, and she made that a priority.

The other thing I want to say about Nina is that she is a casting genius.  She has the extraordinary ability to match singers to roles, but also to match singers to each other.  Often during rehearsals I would think to myself, “Wow, this is the very best group of people I’ve worked with!”  Sometimes it felt positively magical.  Our casts always had singers at various stages of their careers, from students to emerging professionals, and I always found there was something I could learn from each person.  But more than that, we forged friendships that have lasted well beyond the four week time frame of the program.  I expect that many of these friendships will last a lifetime.

It could change your life.  I swear, this is not hyperbole either.

I’m approaching 1000 words, so I think I’ll wrap things up by saying, very simply, that HSOF changed my life.  I wouldn’t be the singer I am today had it not been for this program.  I am eternally grateful for my experiences there, and would not trade them for anything.  I know I’m not the only one who feels this way.  So, dear singers, please consider this wonderful summer program.  It could change your life, too!

Now on Instagram!

Today I finally took the plunge and joined Instagram.  If you’d like to find me there look for @cloudsinmytea.  This name pays homage to one of my favourite songs of all time — You’re So Vain, by Carly Simon — with a slight variation to reflect my preferred caffeinated beverage.  So far I have not posted any photos, but fear not, for that shall soon change! I am, after all, spending the summer in beautiful Halifax, Nova Scotia, where there is much to be photographed and admired.

Yes We Can-Can!

Change of plans for the summer — I’ll still be going to Halifax for the Halifax Summer Opera Festival, but instead of Sondheim’s Into the Woods, I’ll be performing in Offenbach’s Orpheus in the Underworld.  I’ll be singing the role of Cupid, the God of Love.  Incidentally, my most recent performance (just over a month ago) was as Amor, the God of Love, in Gluck’s Orfeo ed Euridice.  Though beautiful, the Gluck opera lacks the humour — and the Can-Can! —  that are integral to the Offenbach work.  I’m looking forward to comparing and contrasting these two interpretations of the same character.  And did I mention the Can-Can?!?! I guess you could say that I’m really looking forward to that, too!

Upcoming Projects!

It is possible that I am the world’s worst blogger.  Oh well.  I can live with that.  I’ve been meaning to write a new post for quite a while, but things just kept getting in the way: learning new rep, rehearsals, rescheduling students’ lessons, preparing for festival season, the Olympics… as you can see, I’ve had a lot on my plate.

Seriously, though, I had a very busy fall — the busiest yet!  Between (Canadian) Thanksgiving and Christmas/Ice Storm 2013 I had one day off.  One whole day that didn’t involve any teaching, rehearsing, or performing.  Not that I’m complaining.  It was great to be so busy and to do so much singing.  I had the opportunity to explore the very different roles of Olympia, Antonia, and Giulietta in The Tales of Hoffmann, an opera I’ve been completely enchanted by since first studying it in an undergrad music history course.  I also had the opportunity to perform with friends in the chorus for Verdi’s Oberto with TrypTych Concert & Opera, to appear as a soloist in the Christmas concert for my friends, the Volunge Toronto Lithuanian Chorus, and to revisit one of my favourite roles, Gretel, in Hansel and Gretel with Symphony on the Bay.

After getting some much needed rest, I am happy to be delving into some new projects over the spring and summer months.  To start things off, I’ll be heading to Cornwall later this month to adjudicate the vocal and choral classes of the Kinsmen Music Festival.  I’m thrilled to be experiencing this side of the music festival!  Local music festivals offer so much to young musicians, especially in smaller communities where performing opportunities may be limited.  I always encourage my students to enter as many as possible.  It’s a good chance for them to hone their skills as performers, to build confidence, and to grow as musicians.  Even if the feedback they receive is no different than the things I tell them in their lessons, participating in these festivals is a great learning experience.  I can’t wait to hear and work with the young singers of Cornwall, and I hope the feedback they get from me helps them to grow into more confident and more thoughtful singers.

Mere days after I return from Cornwall, I will be making a trip up to North Bay to appear as the soprano soloist in Mozart’s Requiem with Near North Voices.  I’m extremely excited about this for two reasons: 1) Mozart is my absolute favourite composer to sing, and 2) this project reunites me with Dr. Adam Adler, NNV’s Artistic Director (and fellow Thornhill Secondary School alum!).  The last time I worked with Dr. Adler, when he conducted the TSS Concert Choir, I was a teenager preparing to begin my undergraduate degree at Queen’s, and he was a doctoral candidate at U of T.  The performance will take place on March 30, 2014 at 7:30 pm at St. Andrew’s United Church in North Bay.

Following what will surely be an exciting March, I will turn my attention to two new roles: Amor in Gluck’s Orfeo ed Euridice, with Opera by Request in June, and Little Red Ridinghood in Sondheim’s Into the Woodsfor the Halifax Summer Opera Festival.  And on that note, it’s time to go practice!


Now on Twitter!

After many years of resisting, I have, at long last, joined Twitter.  I hope it will be a fun and interesting way to interact and connect with people! If you’d like to follow me, you can find me at @little_kicks (so named for the infamous dancing skills of the always inspirational Elaine Benes from Seinfeld).

A Day In The Life

When I was a student at Queen’s, I remember being asked what exactly music students did all day.  Did we head over to the music building after breakfast and just play our instruments all day?  Well, not quite.  We did spend significant amounts of time each day in the practice room, or in rehearsals, but that was on top of our academic classes.  Being a music student was hard work.  Sure, we had our creative outlets, but our days were fairly routine.  Much like life after graduation.  Because being a professional musician isn’t as glamourous as it may seem.  Don’t get me wrong, being a professional musician is wonderful! There are some really cool aspects to this job.  As a musician I sometimes get to travel to places I would otherwise not have the opportunity to visit, I get to work with all kinds of interesting people, and, one of my favourite parts, I get to wear beautiful gowns.  For work!  But “musician” is still a job, and just like any other job, it isn’t exciting all the time.  So I thought I’d share with you how I spend a typical day….

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